The exhibition After the Fires by Ray Monde opens at Purple Noon Gallery on the one-year anniversary of the devastating bushfires around Braidwood. Continue reading After the Fires opens at Purple Noon Gallery
Flicking through the photos on my phone, I came across a shot of the bushfires around Braidwood in December last year. It jolted me back to the bushfires that ravaged the land around our home for weeks and weeks and weeks. What was so surprising for me that it rekindled this underlying trauma which I thought I had left behind. After spending a few months … Continue reading A turn to the dark side: from ashes to artwork.
What the Australian bushfires taught me about making decisions in a time of coronavirus (COVID-19). I’m one of those people that likes to be prepared. I check the exits on a airplane. I feel under my seat to make sure there’s a life jacket there. So when the mountains burst into flames behind my house in November 2019, I planned to leave. I love my … Continue reading Too late to leave. Stay in place.
In just an hour I set up my works for my new show, It’s for your own good. These works explore experiences from my childhood that inform who I am now. It’s extraordinarily handy having all the works the same size and so expertly framed, because it was a simple case of banging in a nail in the wall and hanging the works. You can … Continue reading Bumping in to M16 Artspace
There’s a lot of haters out there. Just ask artist Jason Wing who used tweets as the foundation of beautiful letterpress artwork House Wigger that was on show at the Casula Powerhouse. The tirade of abuse for being Aboriginal is raw and uncomfortable and leaves a lasting impression. Like this one from JohnBoy “I guess he used his fat nose to help hold his breath … Continue reading How @Twitter can be your muser and abuser in #art
I started this series almost on a whim. Experiences as children sharply determine who we will be as adults. As we mature, we become better at masking those childhood emotions, we build a stronger exterior to smooth the bumpy ride, but underneath, within us all, is still the little boy or girl, never quite believing where we are and what we’re doing. Continue reading Dry your tears: the child within us #art #collage
Jack Featherstone is an amazing man. He spent a great deal of his life travelling the Australian outback, giving dental care to remote communities and investigating the bacteria of the mouths of Indigenous Australians. His paintings are wonderfully naive, but what I love the most are the stories that go with them. It made me realise while it’s fine to make pretty pictures, the works … Continue reading Art with a story is better than art for art’s sake
Like most artists, I’d rather spend my time creating artworks rather than work-working but unfortunately my art is not self-sufficient. Thankfully, I’m in a position where I run my own business from home, The Wood Agency, which is little advertising agency which specialises in art-based marketing. We recently developed this visual identity for The Studio, an annex of the Art Gallery of South Australia. Essentially, … Continue reading Art-work versus work-work. Who wins?
A lot of artists don’t give their works a title and it really gives me the pip. Walking around galleries around the world, I’ll come across a spectacular artwork, I’ll walk up and get closer look, see who created it and what it’s called. Artist, Untitled, 1972 For me, not giving an artwork a name, is like not naming a child. A title gives an … Continue reading Why all artworks titled “Untitled” should be destroyed.
After a hiatus of far too long, I am back behind the wheel. It’s funny how a small commission can help you get your sticky fingers going again. This collage is for the cover of a local cookbook. Locals have a trailer set up near the park and when there is lots of holiday traffic they serve free tea & coffee to give drivers a … Continue reading Back behind the wheel