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Ray Monde: finalist in the Blacktown Art Prize 2020

When I was 12, my older brothers moved from the Burrell Creek in rural NSW to the Western Suburbs of Sydney to live and work, eventually settling in South Wentworthville. As a country kid, I thought Parramatta Westfield was the Sydney’s CBD. I thought Sydney was Parramatta. So Parramatta and Blacktown for me were glimpses into a wider world. A world that wasn’t focused on … Continue reading Ray Monde: finalist in the Blacktown Art Prize 2020

Who is Jinny Wright? You need to know.

A woman walks into a commercial gallery that she passes on her lunch break. There’s an artwork by an new artist called Rothko that she really likes. The price tag, $1360, is beyond her reach but she really wants it. So she talks to the gallery owner about paying it off in instalments. But there’s another hurdle. The artist wants to approve whoever buys his … Continue reading Who is Jinny Wright? You need to know.

Pop up book of forest fires and burning fires

Your tongue is a sock: three of my favorite things at Bainbridge Island Art Museum.

After 6 months in COVID-19-induced mothballs, our local Bainbridge Island art museum opened its doors again. It was like walking in the front door of a good friend you haven’t seen for an age. The exhibition Fiber 2020 which has been in suspended animation for half-a-year is finally open to the public and what a crazy, wild diverse exhibition it is. Margaret Chodos-Irvine stitches together … Continue reading Your tongue is a sock: three of my favorite things at Bainbridge Island Art Museum.

Humpty on a wall, From Alice in Wonderland by Lewis Carroll, Illustrated by Charles Lutwidge Dodgson.

Nothing will ever be the same again.

“All the king’s horses and all the king’s menCouldn’t put Humpty together again.” It’s been a year of upheaval. Flux and change. Things will never be the same again. Just like humpty dumpty, we can’t put the pieces of this year together in a way that resemble a normal year. And there is no going back to what was. We read the news about change … Continue reading Nothing will ever be the same again.

Paper and wood sculpture of mountains

Ray Monde: a finalist in the 2020 Woollahra Small Sculpture Prize.

There are some art prizes that you dream of being finalist in and for me and the Woollahra Small Sculpture Prize is one of them. Working with cherry and walnut wood, card and overpainted paper, this work is called The Impossible Journey Home. Essentially it’s our home in Braidwood, Australia and my brother-in-law’s and his wife’s house in Seattle, USA, separated by impassable mountains. I … Continue reading Ray Monde: a finalist in the 2020 Woollahra Small Sculpture Prize.