Earlier in the year I created a sculptural work The Impossible Journey Home. When I found out it was a finalist in the Woollahra Small Sculpture Prize 2020, I thought “I’m going to make more of them!” The things about these works is they remind me of all the things I loved drawing as a kid. The funny little complex worlds where all these little … Continue reading Revisiting the small worlds in my head as kid.
I’m working late into the night on a new series that focuses on the suburbs. It was inspired by a recent trip to Madrid where I saw a lot of works by Picasso at the Reina Sofia – Pity and Terror, Picasso’s Path To Guernica. What struck me about his early works was that they were often limited to a single room, they were painted … Continue reading Quiet terror in the suburbs
What makes a great work of art? How do you separate the best from the base? What makes an artwork worth $110.5 million such as a recent piece sold by the artist Basquiat? And what work is worthless? This question was brought into sharp focus at this year’s Archibald Prize when Mitch Cairns portrait of his wife took out the $100,000 prize. Other well-known artists … Continue reading What makes a great work of art?
I play silly mind games with myself. I always have since I was a kid. Last year, before The Other Art Fair Sydney, as I undressed to get into bed, I threw my clothes towards the dirty clothes basket and thought “If I get them in, I’ll sell one of my pieces”. My clothes didn’t make it into the basket. Not a sock. You can … Continue reading Gearing up for The Other Art Fair Melbourne
I’m going to say it right now, I love Dan Kyle. He’s a young guy, living in the mountains taking an obsessive look at the Australian bush around him. To be honest, it’s not the man I love, it’s the artist. He paints trees again and again and again. The pale trunks of eucalyptus trees like ghosts stalking the landscape. They’re silent witness to what’s … Continue reading Is Dan Kyle the next Arthur Boyd?
I love now. I love this moment. I love the start of something new. This week I started a new series. A series exploring childhood experiences – one more time – but this time it’s going to be better. It’s going to be better because the more I think about my childhood, the more my memories become clearer and the more I uncover long forgotten … Continue reading What happens next?
Getting a commission is an exciting prospect, being asked to create a bespoke artwork for a benefactor is exhilarating. But it’s also a strange burden. Normally, when I create artworks, it flows, it’s a representation of what in my mind, a story I’m trying to tell, a feeling I’m trying to conjure up. With a commission, it’s not so straight forward. There’s a bit of … Continue reading Walking the tight-rope of an art commission
Here’s the thing – getting a commission from someone is always a little bit tricksy. You go from doing whatever you like, whatever is in your head, to creating something for a specific person with specific tastes for a specific environment. Even though many benefactors will say ‘Do whatever you like!”, you can’t not be influenced by them. You want them to like what you … Continue reading Finding your twin is not easy
Having worked as a creative in the advertising industry for 20 years, it was always a bit of a mystery where the creative idea came from. I remember my 16 year old nephew doing work experience with me and he went home after a week to tell his father that for a job I drank coffee, went for walks, sat around and talked and read … Continue reading The serendipitious nature of art inspiration
Sometimes I create an artwork that’s a little unloved. It gets turned around to face the studio wall and is kind of forgotten about. I recently came across this work ‘Who pushed Annette?’. When I was about 8 years old, my cousins visited our house from Sydney. My mum and dad were renovating our house. Six cousins were standing in the doorway looking into this … Continue reading Taking another look at forgotten works